Author: john
Craig Kucia
Craig Kucia
unnatural disasters
17 November – 15 December 2018
Craig Kucia
mostly bones that bruise easily, 2017
Oil and acrylic on canvas
121.9 x 121.9 cm; 48 x 48 in
Craig Kucia
mostly bones that bruise easily (detail), 2017
Oil and acrylic on canvas
121.9 x 121.9 cm; 48 x 48 in
Craig Kucia
pattern painting #3, 2018
Oil and acrylic on canvas
106.7 x 106.7 cm; 42 x 42 in
Craig Kucia
pattern painting #3 (detail), 2018
Oil and acrylic on canvas
106.7 x 106.7 cm; 42 x 42 in
Craig Kucia
after bill after bob after, 2018
Oil on canvas
121.9 x 121.9 cm; 48 x 48 in
Craig Kucia
a staccato still life, 2018
Gouache and collage on paper
106.7 x 114.3 cm; 42 x 45 in
Craig Kucia
orange abstract, 2015
Ink and gouache on paper
106.7 x 114.3 cm; 42 x 45 in
Craig Kucia
skull sculpture, 2015
Gouache and acrylic on paper
106.7 x 114.3 cm; 42 x 45 in
Craig Kucia
skull sculpture (detail), 2015
Gouache and acrylic on paper
106.7 x 114.3 cm; 42 x 45 in
Craig Kucia
pattern painting #1, 2018
Oil on canvas
99.1 x 99.1 cm; 39 x 39 in
Craig Kucia
an anthropology of memory, 2018
Oil on canvas
121.9 x 121.9 cm; 48 x 48 in
Craig Kucia
why said i was it so sad, 2018
Oil on canvas
121.9 x 121.9 cm; 48 x 48 in
Craig Kucia
pattern painting #2, 2018
Oil on canvas
91.4 x 91.4 cm; 36 x 36 in
Craig Kucia
pattern painting #2 (detail), 2018
Oil on canvas
91.4 x 91.4 cm; 36 x 36 in
Craig Kucia
in the absence of bad news we were like bats, 2018
Oil on canvas
167.6 x 138.4 cm; 66 x 54 1/2 in
Craig Kucia
in the absence of bad news we were like bats (detail), 2018
Oil on canvas
167.6 x 138.4 cm; 66 x 54 1/2 in
James Herman ‘ISLAND’
James Herman
ISLAND
8 September – 27 October 2018
Opening Saturday, 8 September, 6-9pm
James Herman
Steal your face, 2018
Enamel on carved plywood, driftwood, coral reef, steel, artist frame
103.5 x 73 cm
40 3/4 x 28 3/4 in
James Herman
Chop wood carry water (before and after satori), 2018
Enamel, carved plywood, eucalyptus
127 x 200.7 cm
50 x 79 in
James Herman
Even a blind man knows when the sun is shining (yellow studio addition), 2018
Reclaimed old growth Douglas fir, plywood, enamel
358.1 x 284.5 x 315 cm
141 x 112 x 124 in
James Herman
Even a blind man knows when the sun is shining (yellow studio addition) (detail), 2018
Reclaimed old growth Douglas fir, plywood, enamel
358.1 x 284.5 x 315 cm
141 x 112 x 124 in
James Herman
Even a blind man knows when the sun is shining (yellow studio addition) (detail), 2018
Reclaimed old growth Douglas fir, plywood, enamel
358.1 x 284.5 x 315 cm
141 x 112 x 124 in
James Herman
Even a blind man knows when the sun is shining (yellow studio addition) (detail), 2018
Reclaimed old growth Douglas fir, plywood, enamel
358.1 x 284.5 x 315 cm
141 x 112 x 124 in
James Herman
Even a blind man knows when the sun is shining (yellow studio addition) (detail), 2018
Reclaimed old growth Douglas fir, plywood, enamel
358.1 x 284.5 x 315 cm
141 x 112 x 124 in
James Herman
Sunflower (purple), 2018
Hash oil and pigment screen print on enamel, plywood, oak
62.2 x 52.1 cm
24 1/2 x 20 1/2 in
James Herman
Sunflower (fuchsia), 2018
Hash oil and pigment screen print on enamel, plywood, Douglas fir
62.2 x 52.1 cm
24 1/2 x 20 1/2 in
James Herman
Sunflower (red), 2018
Hash oil and pigment screen print on enamel, plywood, oak
62.2 x 52.1 cm
24 1/2 x 20 1/2 in
James Herman
Sunflower (blue), 2018
Hash oil and pigment screen print on enamel, plywood, Douglas fir
62.2 x 52.1 cm
24 1/2 x 20 1/2 in
James Herman
Beyond the present at hand, 2018
Enamel paint on carved plywood, aluminum frame
124.5 x 195.6 cm
49 x 77 in
James Herman
Beyond the present at hand (detail), 2018
Enamel paint on carved plywood, aluminum frame
124.5 x 195.6 cm
49 x 77 in
James Herman
Figure it out, and then figure it out again, 2018
Enamel paint on carved plywood, aluminum frame
124.5 x 195.6 cm
49 x 77 in
James Herman
Figure it out, and then figure it out again (detail), 2018
Enamel paint on carved plywood, aluminum frame
124.5 x 195.6 cm
49 x 77 in
James Herman
Constant reaching for the unspeakable, 2018
Enamel paint on carved plywood, aluminum frame
124.5 x 195.6 cm
49 x 77 in
James Herman
There is no separate entity, there may be illusion of it, but its just a dream, 2018
Enamel paint on caved plywood, aluminum frame
124.5 x 195.6 cm
49 x 77 in
James Herman
Watching thoughts like birds, 2018
Enamel paint on carved plywood, aluminum frame
124.5 x 195.6 cm
49 x 77 in
James Herman
Actualizing what can be, 2018
Enamel paint on carved plywood, aluminum frame
124.5 x 195.6 cm
49 x 77 in
James Herman
Understand something which you cannot say, 2018
Enamel paint on carved plywood, aluminum frame
124.5 x 195.6 cm
49 x 77 in
Gallery One: Emerson Woelffer ‘Forty Years (Paintings from 1956 – 1996)’
/ Gallery One
Emerson Woelffer
Forty Years (Paintings 1956 – 1996)
14 July – 1 September 2018
Emerson Woelffer
Bird and Earthworms, 1956
Oil and collage on masonite
96.5 x 66 cm
38 x 26 in
Emerson Woelffer
Untitled, c. 1959
Tempra and oil on cardboard
38.7 x 29.2 cm
15 1/4 x 11 1/2 in
Emerson Woelffer
Untitled, c. 1961
Tempra and collage on canvas board
40.6 x 31 cm
16 x 12 1/4 in
Emerson Woelffer
Pygmalion, 1970
Oil, acrylic on canvas
167.6 x 127 cm
66 x 50 in
Emerson Woelffer
White Rain, 1977
Acrylic on canvas
121.9 x 76.2 cm
48 x 30 in
Emerson Woelffer
Untitled, 1996
Acrylic on canvas
162.6 x 127 cm
64 x 50 in
Emerson Woelffer
Ubu’s Birthday, 1989
Oil, acrylic on canvas
193.7 x 130.2 cm
76 1/4 x 51 1/4 in
Emerson Woelffer
Moon At 2, 1984
Acrylic, oil, collage on canvas
161.9 x 130.2 cm
63 3/4 x 51 1/4 in
Emerson Woelffer
Poetic Window, 1984
Oil, acrylic, collage on canvas
182.9 x 121.9 cm
72 x 48 in
Poetic Window, 1984
Oil, acrylic, collage on canvas
182.9 x 121.9 cm
72 x 48 in
Emerson Woelffer
Fetish, 1985
Acrylic, oil on canvas
127 x 106.7 cm
50 x 42 in
Fetish, 1985
Acrylic, oil on canvas
127 x 106.7 cm
50 x 42 in
Emerson Woelffer
Hot Lips, 1968
Acrylic, crayon on canvas
167.1 x 126.5 cm
65 3/4 x 49 3/4 in
Emerson Woelffer
Untitled (Falling Series), 1982
Acrylic on canvas
213.4 x 152.4 cm
84 x 60 in
Untitled (Falling Series), 1982
Acrylic on canvas
213.4 x 152.4 cm
84 x 60 in
Emerson Woelffer
Black Mirror and Black Hands, 1963
Oil, acrylic on canvas
137.2 x 96.5 cm
54 x 38 in
Black Mirror and Black Hands, 1963
Oil, acrylic on canvas
137.2 x 96.5 cm
54 x 38 in
Emerson Woelffer
Untitled, 1977
Oil, acrylic, spray enamel on canvas
127 x 96.5 cm
50 x 38 in
Untitled, 1977
Oil, acrylic, spray enamel on canvas
127 x 96.5 cm
50 x 38 in
Emerson Woelffer
Untitled, 1975
Untitled, 1975
Acrylic on canvas
76.2 x 61 cm
30 x 24 in
Emerson Woelffer
Untitled, 1995
Acrylic on canvas
61 x 50.8 cm
24 x 20 in
Untitled, 1995
Acrylic on canvas
61 x 50.8 cm
24 x 20 in
Emerson Woelffer
Untitled, 1996
Acrylic on canvas
76.2 x 61 cm
30 x 24 in
Untitled, 1996
Acrylic on canvas
76.2 x 61 cm
30 x 24 in
Emerson Woelffer
Black on Black , 1984
Torn color acid collage, pencil, acrylic on paper
76.2 x 55.9 cm
30 x 22 in
Black on Black , 1984
Torn color acid collage, pencil, acrylic on paper
76.2 x 55.9 cm
30 x 22 in
Emerson Woelffer
Black Birds, 1982
Collage on paper
103.5 cm
30 x 24 in
Black Birds, 1982
Collage on paper
103.5 cm
30 x 24 in
Emerson Woelffer
Untitled, 1989
Oil stick on canvas
81.3 x 61 cm
32 x 24 in
Untitled, 1989
Oil stick on canvas
81.3 x 61 cm
32 x 24 in
Gallery One: Wayne Magrin ‘The Far Way and the Familiar (Narrative Paintings of Surfers, Sailors and Bushrangers)
/ Gallery One:
Wayne Magrin
The Far Away and the Familiar
(Narrative Paintings of Surfers, Sailors and Bushrangers)
Paintings selected by Julian Schnabel
14 April – 30 June 2018
Wayne Magrin
KLAUS THE KISSER, 2018
Acrylic on board
304.8 x 304.8 cm
120 x 120 in
120 x 120 in
Wayne Magrin
SANDHILL WARRIOR, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
BULLET, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
Wayne Magrin
CRUISY SUSY, 2017
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
LAID BACK LIZZY, 2017
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
BARON JOEY, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
HAMMERHEAD, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
BIG WAVE DAVE, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
FEARLESS FRANK, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
SOCiAL HIERARCHY, 2018
Acrylic on board
304.8 x 304.8 cm
120 x 120 in
120 x 120 in
Wayne Magrin
BACK TO SCHOOL, 2018
Acrylic on board
304.8 x 304.8 cm
120 x 120 in
120 x 120 in
Wayne Magrin
THE ROBBERY OF GEORGE MCBRIDE, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
PLEADING FOR HIS LIFE, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
DELUSIONS OF GRANDEUR, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
SMOKING GUN, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
THE BIRD SAW IT ALL, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
BLUE MURDER, 2018
Acrylic on board
152.4 x 152.4 cm
60 x 60 in
60 x 60 in
Wayne Magrin
YOU’D BETTER HAVE SOMETHING GOOD, 2018
Acrylic on board
243.8 x 243.8 cm
96 x 96 in
96 x 96 in
Gallery Two: Flora Hauser ‘Telescope at the Sun’
/ Gallery Two:
Flora Hauser
Telescope at the Sun
14 April – 16 June 2018
Flora Hauser
Frage und Aufgabe; eine bestimmte Situation (Question and Task; a Certain Situation), 2018
Pencil on canvas
50.8 x 30.5 x 5.1 cm
20 x 12 x 2 in
20 x 12 x 2 in
Flora Hauser
Freitagsdelikt (Friday’s Offence), 2018
Pencil on canvas
50.8 x 30.5 x 5.1 cm
20 x 12 x 2 in
20 x 12 x 2 in
Flora Hauser
Zeitmaßstab: in Momenten (Time Scale: in Moments), 2018
Pencil on canvas
50.8 x 30.5 x 5.1 cm
20 x 12 x 2 in
20 x 12 x 2 in
Flora Hauser
Hoheit / Highness, 2015
pencil on paper
29 x 21 cm
11 3/8 x 8 1/4 in
11 3/8 x 8 1/4 in
Flora Hauser
Teilung einzelner Eigenständigkeiten (Division of Individual Autonomys), 2018
Pencil on canvas
182.9 x 61 x 5.1 cm
72 x 24 x 2 in
72 x 24 x 2 in
Flora Hauser
Die Erkundung der Toleranz, mit voller Wucht (The Exploration of Tolerance, With Great Vehemence), 2018
Pencil on canvas
50.8 x 30.5 x 5.1 cm
20 x 12 x 2 in
20 x 12 x 2 in
Flora Hauser
Die Geschwindigkeit der Ruhe (Speed of the Hush), 2018
182.9 x 61 x 5.1 cm
72 x 24 x 2 in
72 x 24 x 2 in
Flora Hauser
Skizzen auf Leinwand / Sketches on Canvas, 2016
pencil on canvas
50 x 30 cm
19 3/4 x 11 3/4 in
19 3/4 x 11 3/4 in
Flora Hauser
detail from personal notebook
Flora Hauser
Perspektivenwechsel; einige Geschehnisse (Change of Perspectives; some Events), 2018
Pencil on canvas
210.8 x 109.2 x 5.1 cm
83 x 43 x 2 in
(each painting)
83 x 43 x 2 in
(each painting)
Flora Hauser
Sensible Aussichten (Delicate Prospects), 2018
Pencil on canvas
50.8 x 30.5 x 5.1 cm
20 x 12 x 2 in
20 x 12 x 2 in
Flora Hauser
Zwei Präsidenten und ein Licht / Two Presidents and one Light, 2015
pencil on paper
29 x 21 cm
11 3/8 x 8 1/4 in
11 3/8 x 8 1/4 in
Flora Hauser
late spring II / späten frühling II, 2015
pencil on paper
29 x 21 cm
11 3/8 x 8 1/4 in
11 3/8 x 8 1/4 in
Flora Hauser
Die Abhängigkeit des Ausgangspunktes (The Dependence of the Starting Point), 2018
Pencil on canvas
210.8 x 99.1 x 5.1 cm
83 x 39 x 2 in
83 x 39 x 2 in
Flora Hauser
Die Expansion des Humbugs (The Expansion of Shenanigans), 2018
Pencil on canvas
50.8 x 30.5 x 5.1 cm
20 x 12 x 2 in
20 x 12 x 2 in
Gallery Two: ‘on Solstice’
/ Gallery Two
on Solstice
Adam Secore
Kelly Lamb
Ed Ruscha
Joe Goode
Objects for Others
Thomas Linder
Flora Hauser
Emerson Woelffer
23 June – 18 August 2018
Ed Ruscha
Cheese Mold Standard with Olive, 1969
Color screenprint
65.4 x 101.7 cm
25 3/4 x 40 1/8 in
Edition 75 of 150
© Ed Ruscha
Ed Ruscha
Ghost Station, 2011
Mixografía® print on handmade paper
69.2 x 116.8 cm
27 1/4 x 46 in
27 1/4 x 46 in
Edition 63 of 85 + 2 AP
© Ed Ruscha
Ed Ruscha
An Extremely Ordinary Person, 1978
3-color lithograph on Rives BFK
38.1 x 76.2 cm
15 x 30 in
15 x 30 in
Edition 4 of 20
© Ed Ruscha
Adam Secore
Gravity, 2013
Archival pigment print
80 x 106.7 cm; 31 1/2 x 42 in (image)
90.2 x 123.8 cm; 35 1/2 x 48 3/4 in (frame)
90.2 x 123.8 cm; 35 1/2 x 48 3/4 in (frame)
Edition 1 of 25
Adam Secore
Isla Raza de Buena Gente, 2012
Archival pigment print
80 x 106.7 cm; 31 1/2 x 42 in (image)
90.2 x 124.5 cm; 35 1/2 x 49 in (frame)
90.2 x 124.5 cm; 35 1/2 x 49 in (frame)
Edition 1 of 25
Objects for Others
Pendant, 2018
Hand polished raw brass, hand cut stained glass, maple wood, LED lights, and braided line
94 x 25.4 x 12.7 cm
37 x 10 x 5 in
37 x 10 x 5 in
Objects for Others
The Delicate Infinite Holding Space, 2018
Hand polished raw brass, hand cut stained glass, maple wood, black marble, and braided line
162.6 x 50.8 x 25.4 cm
64 x 20 x 10 in
64 x 20 x 10 in
Objects for Others
Prism Lantern, 2018
Hand polished raw brass, hand cut stained glass, maple wood, LED lights, black marble, and braided line
Dimension variable
Emerson Woelffer
Untitled, 1953
Oil and enamel on Luan panel
121.4 x 83.8 cm
47 3/4 x 33 in
47 3/4 x 33 in
Kelly Lamb
Cosmic Cluster Fuck, 2018
Polished stainless steel
91.4 x 86.4 x 86.4 cm
36 x 34 x 34 in
36 x 34 x 34 in
Joe Goode
Untitled, 1986
Oil on canvas
137.2 x 121.9 cm
54 x 48 in
54 x 48 in
Joe Goode
Untitled (Ocean Blue Series), 1988
Oil pastel on paper
41.6 x 38.1 cm
16 3/8 x 15 in
16 3/8 x 15 in
Joe Goode
Untitled (Torn Cloud Series), 1973
Watercolor on Strathmore paper
36.8 x 58.4 cm
14 1/2 x 23 in
14 1/2 x 23 in
Flora Hauser
Sensible Aussichten (Delicate Prospects), 2018
Pencil on canvas
50.8 x 30.5 x 5.1 cm
20 x 12 x 2 in
20 x 12 x 2 in
Flora Hauser
Obacht guter Sündenzeit (Caution Fair Sin Times), 2018
Pencil on canvas
50.8 x 30.5 x 5.1 cm
20 x 12 x 2 in
20 x 12 x 2 in
Adam Secore
Surf, 2009
Archival pigment print
80 x 106.7 cm; 31 1/2 x 42 in (image)
90.2 x 117.5 cm; 35 1/2 x 46 1/4 in (frame)
90.2 x 117.5 cm; 35 1/2 x 46 1/4 in (frame)
Edition 3 of 25
Thomas Linder
Sapphire Sediment, 2018
Basswood, polyester resin, pigment
96.5 x 62.2 cm
38 x 24 1/2 in
38 x 24 1/2 in
Thomas Linder
Concrete Banks Flower at Sunset, 2018
Basswood, polyester resin, pigment
127 x 96.5 cm
50 x 38 in
50 x 38 in
Thomas Linder
Ride the Eddy, 2018
Basswood, polyester resin, pigment
96.5 x 62.2 cm
38 x 24 1/2 in
38 x 24 1/2 in
Ed Ruscha
Rusty Signs – Dead End 1, 2014
Mixografía® print on handmade paper
61 x 61 cm
24 x 24 in
24 x 24 in
Edition 30 of 50 + 10 AP
© Ed Ruscha
Gallery Three: Christoph Weber ‘Contact’
/ Gallery Three:
Christoph Weber
Contact
14 April – 30 June 2018
Christoph Weber
Crack Stop Motion, 2018
Plaster
38.1 x 190.5 x 55.9 cm
15 x 75 x 22 in
15 x 75 x 22 in
Christoph Weber
Blei (gefalzt), 2017
lead on wood
53 x 34 x 5 cm
20 7/8 x 13 3/8 x 2 in
20 7/8 x 13 3/8 x 2 in
Christoph Weber
Etui (fresh), 2018
Inkjetprint on PhotoRag, dark metallic frame
30.5 x 22.5 x 3.5 cm
12 1/8 x 8 7/8 x 1 3/8 in
12 1/8 x 8 7/8 x 1 3/8 in
2 / 10+2AP
Christoph Weber
Pulp Sign, 2018
Paperpulp, acrystal, rebar
162 x 56 x 20 cm
63 3/4 x 22 1/8 x 7 7/8 in
63 3/4 x 22 1/8 x 7 7/8 in
Christoph Weber
Pulp Sign, 2018
Detail
Christoph Weber
Cast and Uncast, 2018
Concrete, rope
Dimensions variable
Christoph Weber
Cast and Uncast, 2018
Detail
Christoph Weber
Cast and Uncast, 2018
Detail
Christoph Weber
Etui, 2018
Concrete, lead
13 x 52 x 56 cm
5 1/8 x 20 1/2 x 22 1/8 in
5 1/8 x 20 1/2 x 22 1/8 in
Christoph Weber
Pulp Sign, 2018
Paperpulp, acrystal, rebar
162 x 56 x 20 cm
63 3/4 x 22 1/8 x 7 7/8 in
63 3/4 x 22 1/8 x 7 7/8 in
Christoph Weber
Pulp Sign, 2018
Detail
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Michael Portnoy AMERICAN REALNESS 2018
/ Festival:
Michael Portnoy
AMERICAN REALNESS 2018 at various locations
Premiere of Michael Portnoy’s “Relational Stalinism — the Musical”